The first
question I had when I received the invitation to the Livefronts was, “What are
the Livefronts?” I soon learned that this is the very first conferences
dedicated to the delivery, reportage and sales of live streaming regularly
scheduled programming. This is a growing category of programming hastened by
the increasing number of platforms from which to create and stream content.
The Livefronts offered an opportunity for a collection of producers and creators of live programming to fully explore the nature of their ecosystem and how it contributes and enriches (and in some cases competes with) the larger media environment through its use of established and expanding platforms such as Facebook Live, Snapchat, Twitter, YouTube. It is a growing and innovative sector of the industry and has the potential to change the way viewers interact with content and the way we valuate that interaction.
The Livefronts offered an opportunity for a collection of producers and creators of live programming to fully explore the nature of their ecosystem and how it contributes and enriches (and in some cases competes with) the larger media environment through its use of established and expanding platforms such as Facebook Live, Snapchat, Twitter, YouTube. It is a growing and innovative sector of the industry and has the potential to change the way viewers interact with content and the way we valuate that interaction.
Al Roker, TV
personality and weather forecaster for NBCU’s Today Show, has become a force
within the regularly scheduling live streaming marketplace and launched his own
company called Roker Media to advance the cause. He is excited by the immediacy
and unpredictability of the live programming format. “What really seems to be
resonating with viewers and consumers of video is live programming. And not
just live, for live's sake. But thoughtful, engaging, interesting programming
with people that folks want to watch on a regularly scheduled basis with the
spontaneity and unpredictability that live programming brings to the table,” he
said. “Some of the best moments that I've been involved with in my 40+ years of
television have happened live. They can't be planned, they can't be predicted.
But if you put the right ingredients together, with the right people, there's a
very good chance that good stuff happens,” he added.
Mark
McIntire, CMO Roker Media, noted that "live streaming regularly scheduled
programming is comparatively new. We are seeing that people are fascinated by
the possibilities of interactivity and the opportunities it creates for brands
and programmers.” Jesse Redniss, Co-Founder BRaVe media, noted that the reason
for the Livefronts was partly because the market is moving quickly after the
Newfronts and the opportunity is there “to take live streamed programming and
make things happen, monetize it, track it and measure it.”
Sports Is Premium Live Streaming Content … But TV is Still King
Jim Bell,
Executive Producer of NBC Olympics, is seeing a cultural shift in how viewers
are consuming Olympics content. He noted that, “It is a daunting and crazy
moment in our future.” The Rio Olympics had its share of challenges including
the zika virus, politics, crime and water pollution. But the NBCU Rio coverage
saw great success, according to Bell. “It was our most consumed Olympics ever,”
he announced. “There was more available content than ever, the most dominant
social Olympics than ever before and the most profitable,” he added.
The amount
of content available from an event like the Olympics has grown exponentially.
“Twenty years ago in Atlanta there was a grand total 170 hours of the Olympics,”
stated Bell. “Fast forward twenty years and 170 hours has grown to nearly 7000
hours of content at the Rio Olympics,” he added. Curiously while 200 billion
minutes of Olympic content were consumed from NBCU’s various platforms, only 3%
of the content was consumed on digital according to Bell. The rest was consumed
on cable and broadcast. “Digital represents growth and our content will be
focused on digital going forward. But I was simultaneously confused and amused
by the level (of digital viewing for Rio) We are still here!” he exclaimed.
What About Measurement?
The issue of
measurement looms large in this programming sector. Unless we find ways of
crediting viewing, exposures, engagement and other forms of consumption, the
ability to fully monetize the inventory is hampered. Bell noted that, “Nielsen
is still the standard by which things are measured. Does it make sense all the
time? No but it is what we've got. It is an accepted measurement.”
Do we base
audiences on social behaviors like shares and likes? Some believe that this
indicates engagement. David Wong, SVP Digital Product Development at Nielsen
explained that, “The good thing about live programming is that it is easy to
measure. It is consumed in a limited time frame while on demand can go on
forever. The number of views is a great measurement for live because views are
an on demand type of measure. Average view by minute is relevant for an
advertiser.”
Concentrate On Providing Great Content
According to the Platform
Will Funk, EVP Sales and property Partnerships, Turner, noted that “People will go to the best available screen,” to view content. In the case of digital, there are a range of platforms that viewers can use to consume content. And content creation can be fluid and happily unexpected when it is live. Clark Pierce, SVP, TV Everywhere at Fox Sports, shared a moment of content serendipity. Fox was interviewing Pete Rose for a digital video when, according to Pierce, ”Pete Rose listed six things you can do when you are in a slump. This went viral and it was a beautiful thing.”
Will Funk, EVP Sales and property Partnerships, Turner, noted that “People will go to the best available screen,” to view content. In the case of digital, there are a range of platforms that viewers can use to consume content. And content creation can be fluid and happily unexpected when it is live. Clark Pierce, SVP, TV Everywhere at Fox Sports, shared a moment of content serendipity. Fox was interviewing Pete Rose for a digital video when, according to Pierce, ”Pete Rose listed six things you can do when you are in a slump. This went viral and it was a beautiful thing.”
Rich
Greenfield, Managing Director, Media and Technology Analyst BTIG asked his
panel the question as to whether content owners should develop their own delivery
platforms. Borja Perez, SVP Digital and Social Media, NBCUniversal Telemundo
Enterprises, explained that “there is a difference between being a content
provider and a platform. We are a content producer and we won't be good at
building platforms. Our job is to create the content. Platforms will come and
go. We should work with the available platforms and concentrate on how our
content works on those platforms.”
Conclusion
Today’s live
streaming regularly scheduled content may hearken back to the early days of
television but with its potentially global reach and device-centered immediacy,
it is unlike anything our industry has faced before. How we as an industry
compile, create, deliver, measure and sell this content will decide what
thrives and what doesn’t in the next few years. Stay tuned.
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