Gerry Sutton, CEO Adstream describes himself as, “a software
guy at heart” who worked in Australia and the United States in technology,
digital, motion pictures and television.
His current company, Adstream, addresses the creative content challenges
of multiple screens and cross platform.
Sutton explains the challenges of advertisers and content
providers in today’s complex media ecosystem. “Today, there is no such thing as
a single-channel strategy. Most ad campaigns span multiple screens, formats and
platforms. So, there are more creative assets to manage, deliver and measure,”
he notes. “On top of that, the creative ecosystem is now a global game. Content
is created in one place, moved to another, distributed somewhere else and then
measured. Multiple parties and departments in separate countries and continents
are involved. All of this makes managing and delivering ad creative – including
the data attached to each piece of content – difficult and more prone to error,”
he adds.
Charlene Weisler: Tell me about Adstream.
Gerry Sutton: We solve for the complicated creative marketplace
through our platform - to store, manage and review all forms of marketing and
ad content – for digital, mobile, social, VOD, OTT, linear TV, and more – on a
global scale. It also enables delivery of ad content across every type of media
channel, whether traditional or new media, while providing content tracking
upon delivery to ensure creative is used and optimized. Today, more than 10,000
global agencies and brands use Adstream to manage over 26 million creative
assets and deliver 2.7 million annually to 125-plus countries.
Charlene Weisler: How does it work in the area of television?
Gerry Sutton: Globally, for linear TV advertisers, we help
manage ad collaboration and delivery – making sure they air on time and at top
quality levels. Adstream is connected to more than 20,000 TV destinations
across 116 countries and we are also supported by 40 local offices worldwide. For
TV advertisers, we provide quality delivery anywhere – When advertises send TV
ads around the world, they must meet regional standards and quality levels. We
deliver to over 116 countries from one simple ordering interface. TV
advertisers can also manage and approve an ad campaign’s video content, along
with any other media, access our Library which is a powerful global asset
management system made especially for large industry TV files and track a
project’s status with analytics - which ads are used and where they were
delivered, or even integrate third-party data. We can also manage all
clearance, traffic, and basic production, including pre-flight checks, clapper
and countdown, file fixing, standards conversion, captioning and transcoding. Adstream
Connect for broadcasters helps aggregate incoming commercial content and
re-distribute broadcast-ready video spots to digital and VOD channels. It’s
available to broadcasters in Europe now and will be available widely, in North
America and globally, in Q1 2017.
Charlene
Weisler: What is your definition of television?
Gerry
Sutton: Television is simply a type of channel. Today, we focus, not just on
TV, but on video more holistically, as this content can be used across all
mediums. TV is just the highest resolution channel for video.
Charlene
Weisler: Do you get involved in the programmatic TV space? If so, how?
Gerry
Sutton: Programmatic is just another destination for TV content, and we deliver
ad content to all channels and platforms. So, yes we have been involved since
its inception. It’s an exciting space.
The category
is expected to evolve fairly rapidly over the next 12 months. During this time,
we expect more broadcasters and cable channels to begin adding programmatic
capabilities to their linear TV feeds and enable automated buying at scale.
This will create additional challenges with respect to TV advertising and
content delivery. Content will be required with more immediacy.
Charlene
Weisler: Where do you see ad tech going in the next 3 years?
Gerry
Sutton: Advertisers’ demand for transparency and accountability will shape the
next three-year period. This will result in media agencies, for example,
providing more granular ROI reporting to brand customers. In that spirit, we
are also likely to see many advertisers decouple technology from their
agencies. Brands will, instead, build direct relationships with these
technology partners. On the technology side, there will be a rise of metrics
around creative measurement and attribution. Remember, creative is the only
piece that is yet to be fully understood or measured in-depth – despite its
overwhelming importance. Relatedly, expect to see much more programmatic
creative, even for HD-resolution content.
Charlene
Weisler: What advice would you give to a college student today who may be
interested in a career in media?
Gerry
Sutton: It is a challenge. There are still the traditional routes that exist –
working up through a large media company, for example. However, the onset of
digital has driven two new routes which are becoming increasingly critical. The
first, from an operational side, is to learn to code. This may seem both
obvious and challenging, but all media these days is being served or created
through technology. That will only increase. A background in coding can serve
as a real differentiator with respect to technology. Secondly, get involved now
to begin building your resume. The barrier to entry for producing content is so
low anyone can do it (quality of content aside). Whether you’re a director or a
journalist, there are opportunities for you to immediately develop a
professional footprint. Don’t wait to leap in – in some way shape or form.
This article first appeared in www.Mediapost.com
This article first appeared in www.Mediapost.com
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